Against You

Against You

My body is against you

Rib bones flex under your weight

Smothered by masculinity

I disappear into the mattress


My heart is against you

When we are pressed together

Fists of muscle almost touch

They pound at each other


My spirit is against you

Your finger pins it down

As you dance around it

And wait for it to wither


My mind is against you

Every flaw and every blow

Every lack and disappointment

A coarse stone that sharpens me

That strengthens me

Against you

YouTube Book Review – The Wrong David with Christie Adams

YouTube Book Review – The Wrong David with Christie Adams

It was such a nice surprise to see that Christie Adams reviewed my first published work, The Wrong David. This is my first video review and it is exciting to see my book in the hands of another human being across the ocean!

Make sure you subscribe to Christie’s YouTube channel and check out her new collection of short stories Knickers and Other Bitesize Flashes.

About Christie Adams

Christie Adams is a writer, blogger and creativity coach. Her passion is sharing the inspirational art of words to motivate, educate and widen horizons. She’s over 50 and enjoys pushing her boundaries, challenging age stereotypes and travelling to experience all the beauty on this amazing planet.

Connect with Christie





SICK Part I – The Storgy Review

SICK Part I – The Storgy Review

The Sick Series Kindle Countdown Deal only 99¢ each 1/22/2018

Originally published in Storgy Literary Magazine

By Joseph Sale – I first read Sick back in July 2016. It was a half-hearted summer for sun – it almost always is in the UK –  but made up for by the fact that at that time I was enjoying what seemed to be the atomic boom of the independent book world. I discovered so many favourite indie authors, and many of them are still firm favourites today. For me, that was the summer which cemented a concept I already knew in my heart: that self-published authors and independent presses could easily compete for quality with the major publishing houses. As I scoured the internet for new authors doing interesting things in fantasy, horror and science fiction, I encountered Christa Wojciechowski. She’d written the novella Sick, and the blurb piqued my interest because of the way it dealt with disturbing themes in such a domestic, realistic setting. Sick stood out from the crowd, and still does, for its compellingly rich psychological insight. It stayed with me, remaining a unique point of reference. I found myself recommending it in almost every discussion I had that veered towards great books off the beaten track.

It’s hard to write a character that feels three-dimensional, rich, historied, as unpredictably human as you or I. And funnily enough, it’s the lead protagonists of most novels seem to end up being the most flat and two-dimensional of all the characters on offer. Christa Wojciechowski gives us two completely three dimensional protagonists however: Susan and John Branch. Sick is told from Susan’s viewpoint, and there’s not a single word out of place in that regard. The voice is so clear, and so distinctly realised, you’ll feel as though Susan is in the room, confiding in you in secret.

Susan and John are opposites, or appear to be: Susan is the dull, boring nurse, a plain and unremarkable woman longing for her knight in shining armour. John is flamboyant, charismatic, but physically weak and perpetually bedridden, requiring Susan’s continual attendance and care. Add to this another layer – John was from a wealthy family, used to having the silver spoon, but his fortune has been destroyed by his ill health, leaving them struggling to make ends meet in a hovel adjoining John’s old mansion (which is now owned by another family), with Susan working as hard as she can to keep them afloat. Christa brings the relationship to life with the intricate details – the pet names, the gestures, the conversational patterns, the habits – so the story feels so grounded it becomes like an undertow, inescapably gripping.

All is not as it seems in this marriage, there’s more than meets the eye. Why does the groundskeeper behave so oddly when Susan mentions John’s illnesses? How do john’s injuries manifest so quickly? And is Susan all she appears? Why does she pleasure herself at night, when she thinks John is asleep? And does John know? Early in the novella, we cotton on to the truth, but through a deft and ingenious use of dramatic irony, our viewpoint character Susan is left in the dark. Her unwillingness to confront the truth of the situation becomes an increasingly agonising tension, building until the novella reaches a startling denouement. The brevity and clarity of the novel means this ending really lands with the punch – not being clouded by the extraneous detail so often used to pad out novels to what is deemed as an ‘industry standard’ word length. Sick is distilled. It’s a shot of black vodka. And it kicks.

These characters, and their relationship, are the heart of the novel – and the portrayal of their marriage is masterfully handled. Quite simply put, you will believe in and root for these two people and the conflicts, pitfalls, triumphs and tribulations of their ‘love’ without a second thought. Christa manages to sketch a deeply troubled, mentally ill individual, whilst simultaneously holding up the mirror and demonstrating that we are all, most certainly, sick in some profound way.

Sick is really only the opening move, however. Later in 2016, Christa published Sicker – Sick Part II, a much anticipated sequel in which we learn the origins of John Branch, going deeper into his twisted mind… I’ll be reviewing that next, so stay tuned!

Meet Storgy Literary Magazine



The Sick Series

Kindle Countdown Deal

only 99¢ each 1/22/2018



SICK Part III – The Storgy Review

SICK Part III – The Storgy Review

The Sick Series Kindle Countdown Deal only 99¢ each 1/22/2018

Originally published in Storgy Literary Magazine

By Joseph Sale – When you’ve created characters people care about in a series, ending it can be impossible. How to do them justice? How to resolve those arcs in a satisfying way? Endings are hard enough, but the weight of your reader’s time and commitment makes it even more challenging. I was concerned going into book three of the Sick series, because I knew, as a writer, how hard this can be. I needn’t have been. Christa handles the ending with a sure and steady hand. Sick Book III is the best of the series, undoubtedly. The prose is electrifying, and after a certain critical event which changes the dynamic of the relationship forever, the book becomes un-put-downable.

Both Susan and John prove that they are not tired old characters returned for a third outing, but rather living, sinuous human beings, desperately shaped by circumstance and desperate to change their fate. The two characters grow immensely, and in often unexpected ways. Christa also plays beautifully with symbolism, irony, karma, and tackles the timeless themes of death and love in original ways. Once again she proves that it is in the micro-logical, the infinitesimally small details of the piece, that we find the truth of the whole. She speaks with immense authority about medical issues, legal and police procedures, cementing the narrative as a compellingly real story, whilst also moving the story towards epic, spiritual, redemptive territory.

There are certainly shades of Shawshank Redemption in this novel in terms of its approach to character and its themes of psychological imprisonment, as well as shades of the Dallas Buyers Club in its portrayal of a slow evolution of character in the face of utter disintegration. The latter half of the book, where we shift from Susan’s perspective to John, is page-turning and harrowing. The prose style brilliantly mimics John’s mental and physical journey, paring down, stripping away ornamentation, until we are left with a naked prose reminiscent of Cormac McCarthy; it cuts to the core of life’s biggest questions, and resonates in a deeply moving way.

However bleak this review makes Part III, the ending is surprisingly upbeat. Christa puts her characters through the abyss and back, and in the end, she earns a hopeful flame. Although, in keeping with the rest of the series, that flame is distorted with one final, dark twist – one I honestly did not see coming.

Sick’s final gift is its last line, as Gothic as anything in Edgar Allan Poe, sending off the series and her beloved characters with a fittingly warped triumph.


The Sick Series

Kindle Countdown Deal

only 99¢ each 1/22/2018



SICK Part II – The Storgy Review

SICK Part II – The Storgy Review

The Sick Series Kindle Countdown Deal only 99¢ each 1/22/2018

Originally published in Storgy Literary Magazine

By Joseph Sale – Sick Part II is how you do a sequel. Told from the perspective of John Branch, rather than Susan, the prose is tonally worlds apart. Whereas the first book had a zest of the Gothic, Sicker fully commits, with John’s labyrinthine mind and vast intelligence unveiling a far more lyrical storytelling that seethes with undercurrents of repressed emotion. Writing from the perspective of a compelling or mysterious character is not easy, because the reader can always see through artificial charisma.  But Christa carries it off seemingly effortlessly. John’s perspective is hugely entertaining to read, and leads to some incredible insights that are eminently quotable: ‘What’s normal for the spider is chaos to the fly’.

Sick Part II is principally a journey into the past, John telling his tragic story. The way this second book compliments the first is truly astonishing, as it explains so much of his thought process: revealing key events that have triggered aberrant behaviour, childhood neglects which have led to warped thinking. John should be, by all accounts, an intensely dislikeable character: he is self-pitying, self-obsessed, self-destructive and self-entitled – you might notice ‘self’ is the operative word with John – but you cannot help but warm to him when you realise the extent of damage done as a child, and even more chillingly, realise that his conclusions about how the world works are exactly the conclusions anyone would draw in his situation. There is an infallible and disturbing logic to all his actions, and this revelation is so profoundly realised. If Christa ever offered counselling sessions, I’d sign up immediately. You’d think from this book she could get to the root of anyone.

Sick Part II not only develops John, but also many of the side characters, including, perhaps most critically, his mysterious and oft-absent father – John Branch II. Sick Part II cleverly mimics Mary Shelley’s Frankenstein, in that it is a framed narrative (John’s first person account couched in a third person novel), containing a deeper framed narrative (the first person narrative of John’s father).  As we move down through these layers, as though through the levels of consciousness itself, we get closer and closer to an awesome catharsis where we discover the truth of why the male Branchs have such a dysfunctional and unloving relationship. Buried at the heart of this is an image as iconic as that of Alexander the Great being born, amidst a river of blood, as the city of his birth lay assaulted and besieged by invaders, an image that is clearly at the heart of who John is. It left me shaking with emotion.

Though this second entry could well stand alone, the story is certainly not done by the end of it. In fact, really, the first two books have only been set up for Sick Part III which was released midway through 2017. I’ll be reviewing the third and final book soon, so keep reading!


The Sick Series

Kindle Countdown Deal

only 99¢ each 1/22/2018




Writers can get grouchy when life gets in the way of writing. It feels good to create something everyday, even if it’s a tiny off-the-cuff poem.


This is how she moves

in the dark

under the cover

of words

This is how she lights up

when the moon


at her thoughts

They are His

and can be

nothing less than


And so she scurries out

to dismember theorems

and poke sleeping dogs

Because nothing

is safe

and everything

is sacred

in the dark

under the cover

of words


You try!

Writing Goal for 2018

Writing Goal for 2018

Life has been crazy. Life has been great. Life has left little time for writing. Writing is something I love. Writing brings me joy. Writing has become something frantically pounded out on the keyboard whenever I get a free minute. It happens after everything else is done, when I am tired and burned out.

But not this year. Nope. It’s time to make writing fun again. It’s time to get back the reason I began writing in the first place. I started by making a video look book for the story I’m currently working on. It was dead in the water and I needed something to get me back into it. It took me a whole Saturday to make this video and I will get absolutely no reward from it except the act of creating it. I used to create for pleasure all the time when I was a kid. Lately, I have forgotten how.

I encourage all creatives to create for the joy of creating with no expectation of what will happen to the end result. Only then will it be fun and only then will it be authentic and good. Forget about marketing and reviews and sales. Do it for yourself!


When was the last time you did something creative just for fun?

What is your favorite creative outlet?

What are you working on this year?

Victims of Self-Published Book Covers

Victims of Self-Published Book Covers

Designing graphics is part of my job as a digital marketer. Still, design is not my specialty. I never had any formal training and I feel like I have much to learn. Despite my insecurities, I decided to design the covers for my self-published books.

I had four main reasons for designing my own book covers: first, because I love my stories and want to craft every part of them; second, because it was fun; third, because I felt uncomfortable trusting another person with my vision; and fourth, because designing my own book covers saved me a nice chunk of money. Hiring a professional book cover designer for three ebook covers and three paperback covers would’ve cost hundreds, if not thousands.

The first step for me when I design a new cover is deciding on an overall concept. I usually start by brainstorming some keywords from the theme of the story. Then I go to Dreamstime to find a picture that conveys the statement I want to make. I buy the image with the appropriate rights, download it, and use it as the foundation of the cover design. From there, I put on some music, experiment, and let whim take over.

Here’s a look at my before and afters!

Sick Part I

This book starts in a hospital as Susan Branch watches her husband throw a tantrum in the surgical recovery room. I wanted something that captured the smell of antiseptic and skin and blood. I looked up “stitches” or “sutures” and found this photo.

I confess, I think it’s a picture of a woman’s C-section, but it was so perfect with the staples pulling at the skin, the redness around the punctures, and the seam of the wound cascading into focus.

All I had to do was crop it and add some effects and filters to bring out the details and give it a sickening hue. And Viola! Thanks to this woman who was willing to photograph her scar and let it be sold on the internet.

Sick Part II

Just like the C-section wound – another mystery, why and how does a picture of a bruised man end up being sold on Dreamstime? Does the hospital or do the police sell pictures like these? I don’t know, but I’m glad I found him, and I hope whoever he is, that he is okay now and doesn’t mind that his torso is plastered all over the internet.

I don’t remember how I came across this image. I think I searched up “bruises.” Because my character John Branch shares his gruesome story in a very intimate way, I thought it would be good to be up close and personal with his body for this cover. The nipple hair, the moles, and the bare skin – it’s almost too close for comfort, just like John’s story. Perfect!

As you can see, I chose the color of this book cover based on the background of the original photo. I wouldn’t have normally thought of turquoise in a million years, but in this case, it worked since it invoked that institutional vibe of hospitals.

This man in the photo looked older than my character. He is in decent shape, but a little too flabby and he has lots of skin imperfections. John is supposed to be slightly repulsive, yet strangely alluring. I had to give my cover man the slightest bit of liposuction in the love-handle area and I removed some of his moles (ick, just that word) and blemishes. I also added more bruises and boosted the color to make it more garish. 


Sick Part III

For the crowning jewel, I chose this image of a couple entwined in a yin and yang formation. Our first impression in the book series is that John is bad and Susan is good, but later we realize there is a spot of bad and good in each of them.

John and Susan are like Adam and Eve, who by discovering the truth about themselves, must live a new world of darkness and uncertainty. They’ve lost their innocence, and in this cover, they appear to be curling up and hiding their faces in shame.

I added a peeling texture to the skin to signify the disease of pain and denial that had been eating away at them. John’s plague seems to be spreading onto Susan. I used a dark pink hue instead of what would’ve been a more womb-like red so that it didn’t look gory. This is not your typical horror or suspense story, and I didn’t want readers to have the wrong expectation. John and Susan are the doomed lovers inextricably intertwined, floating and lost, gestating until they are either transformed or destroyed.

This book was laborious and frustrating because real life had interrupted its development repeatedly. During the stretches of weeks and months I couldn’t work on it, I used this image as my screensaver to keep the story in my unconscious. My characters looked like they were in utero, and I told myself they were incubating in the womb of my mind. When I did have time to get back to my writing, they’d be ready to be born.

Thanks to these two beautiful people with the perfect skin that I ruined. It took a long time to get this cover right, but now it’s my favorite.

So, there you have my three self-published book cover victims – a woman who’d just given birth by C-section, a poor man who had been assaulted or in a car accident, and two nude, nubile models in a spotless studio. These strangers are now part of SICK. I hope they don’t mind.


Did you design your own covers?

If not, what was your experience like working with a professional cover designer?

If so, what’s the story behind your covers?



SICK: The Book Viral Review

SICK: The Book Viral Review

This review originally posted on

A powerful and gritty novella that plumbs the highs of hope and the depths of despair, Sick proves a genuine page-turner with Wojciechowski delivering an extraordinary read. With relentless momentum we are drawn to her narrative as intrigue mounts, feeling sure there is a twist coming but deftly misdirected as events spin further out of control. Mining the darkness of the hidden psyche to show us a glimpse of a reality few will ever experience to leave us deep in thought, it’s an ambitious theme to tackle in a novella but here it works in Wojciechowski’s favour. Her prose are tightly spun and characters are superbly nuanced with dialogue which brings an unrelenting sense of immediacy, telling her story in short staccato bursts that are just enough to bait us and keep us off balance as Susan grapples with the uncertainty of Johns downward spiralling health. Like most issue novels, this is not an easy read, but it becomes increasingly poignant and transcendent as Susan begins to see through the veil of deceit the real John has hidden behind. 


Wojciechowski has clearly set out to write a highly compelling story that brings the trauma of Factitious disorder (formerly known as Munchausen Syndrome) into focus and her ability to tell a story that is so dark and full of pain speaks volumes to her talent as a writer. Highly original, it is recommended without reservation.

Thanks to Book Viral for their review of Sick Part I.




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"Anyone who has ever secretly longed for the significant other of a close friend will immediately identify with this well-written story set in the South of France. The dialog is sharp and the characters believable. The writing is both funny and poignant."
–Max Tomlinson, author of 
The Cain File

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